Virginia was growing weaker. “Get out of the way! I’m coming!” I shout, frantically dashing my cap at the winged vipers around me.!

As I write these lines I lift my eyes and look seaward. I am on the beach of Waikiki on the island of Oahu. Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea. Nearer, the sea is emerald and light olive-green. Then comes the reef, where the water is all slaty purple flecked with red. Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks. Through and over and out of these wonderful colours tumbles and thunders a magnificent surf. As I say, I lift my eyes to all this, and through the white crest of a breaker suddenly appears a dark figure, erect, a man-fish or a sea-god, on the very forward face of the crest where the top falls over and down, driving in toward shore, buried to his loins in smoking spray, caught up by the sea and flung landward, bodily, a quarter of a mile. It is a Kanaka on a surf-board. And I know that when I have finished these lines I shall be out in that riot of colour and pounding surf, trying to bit those breakers even as he, and failing as he never failed, but living life as the best of us may live it. And the picture of that coloured sea and that flying sea-god Kanaka becomes another reason for the young man to go west, and farther west, beyond the Baths of Sunset, and still west till he arrives home again. When he went downstairs, he rested his beak on the steps, lifted his right foot and then his left one; but his mistress feared that such feats would give him vertigo. He became ill and was unable to eat. There was a small growth under his tongue like those chickens are sometimes afflicted with. Felicite pulled it off with her nails and cured him. One day, Paul was imprudent enough to blow the smoke of his cigar in his face; another time, Madame Lormeau was teasing him with the tip of her umbrella and he swallowed the tip. Finally he got lost.

We unsaddled our horses for lunch, and after we had fought the stallions apart—mine with several fresh chunks bitten out of his back—and after we had vainly fought the sand-flies, we ate bananas and tinned meats, washed down by generous draughts of cocoanut milk. There was little to be seen. The jungle had rushed back and engulfed the puny works of man. Here and there pai-pais were to be stumbled upon, but there were no inscriptions, no hieroglyphics, no clues to the past they attested—only dumb stones, builded and carved by hands that were forgotten dust. Out of the pai-pais grew great trees, jealous of the wrought work of man, splitting and scattering the stones back into the primeval chaos. The scenery between Vieiras’s (where the Kaupo Gap empties into the sea) and Lana, which we covered in half a day, is well worth a week or month; but, wildly beautiful as it is, it becomes pale and small in comparison with the wonderland that lies beyond the rubber plantations between Hana and the Honomanu Gulch. Two days were required to cover this marvellous stretch, which lies on the windward side of Haleakala. The people who dwell there call it the “ditch country,” an unprepossessing name, but it has no other. Nobody else ever comes there. Nobody else knows anything about it. With the exception of a handful of men, whom business has brought there, nobody has heard of the ditch country of Maui. Now a ditch is a ditch, assumably muddy, and usually traversing uninteresting and monotonous landscapes. But the Nahiku Ditch is not an ordinary ditch. The windward side of Haleakala is serried by a thousand precipitous gorges, down which rush as many torrents, each torrent of which achieves a score of cascades and waterfalls before it reaches the sea. More rain comes down here than in any other region in the world. In 1904 the year’s downpour was four hundred and twenty inches. Water means sugar, and sugar is the backbone of the territory of Hawaii, wherefore the Nahiku Ditch, which is not a ditch, but a chain of tunnels. The water travels underground, appearing only at intervals to leap a gorge, travelling high in the air on a giddy flume and plunging into and through the opposing mountain. This magnificent waterway is called a “ditch,” and with equal appropriateness can Cleopatra’s barge be called a box-car. I compromised by subtracting thirty-one seconds from the total of my chronometer’s losing error, and sailed away for Tanna, in the New Hebrides, resolved, when nosing around the land on dark nights, to bear in mind the other seven miles I might be out according to Captain Wooley’s instrument. Tanna lay some six hundred miles west-southwest from the Fijis, and it was my belief that while covering that distance I could quite easily knock into my head sufficient navigation to get me there. Well, I got there, but listen first to my troubles. Navigation is easy, I shall always contend that; but when a man is taking three gasolene engines and a wife around the world and is writing hard every day to keep the engines supplied with gasolene and the wife with pearls and volcanoes, he hasn’t much time left in which to study navigation. Also, it is bound to be easier to study said science ashore, where latitude and longitude are unchanging, in a house whose position never alters, than it is to study navigation on a boat that is rushing along day and night toward land that one is trying to find and which he is liable to find disastrously at a moment when he least expects it.